The Sorcerer's Guide

Holidayland was on the west side of Disneyland – about where New Orleans Square is today – from June of 1957 to September of 1963. The area had its own admission gate and was fenced off from Disneyland. It was close enough that you could hear the sounds of the Mark Twain as it floated down the Rivers of America. It wasn’t a theme park: but it was a park! Like most Disney attractions, there were several variations of the idea. It was one of the ideas dreamed up before Disneyland opened in 1955. Holidayland concepts morphed, at times being planned as a large area for group events, and at others as a small picnic area attached to Disneyland. © disneyhistoryinstitute.com So what could you do at Disneyland’s first “second gate” (I think I can call it that…) when it finally opened? There was baseball, volleyball, horseshoes, picnic areas, food service (including bottomless beer…), grassy areas, and playgrounds for the kids. The playgrounds were lightly themed to mirror the attractions insid...

America Sings was a Musical Revue at Disneyland. Musical Revue shows were popular among the Imagineers in the 60s and 70s. Shows like The Tiki Room and the Mickey Mouse Revue don’t take up a lot of space, but can get reasonably high capacity, making them great attractions from an operational perspective. Due to differences in the type visitors, shows don’t stay as popular at Disneyland as they do at Walt Disney World. The waning popularity, mixed with some awkward theming, eventually led to the show’s closure. America Sings Exterior – Taken from the People Mover Loading Platform Concept America Sings opened on June 29, 1974. It was created to replace the Carousel of Progress, which had moved to the Magic Kingdom at Walt Disney World the year before. The show involved six animatronic sets – an introduction, a postlude, and four acts – that showcased music from different eras of American history. Because the show was in the Carousel Theater, each scene was in a different location in the ...

It was January 1924, and Walt was working on the Alice Comedies. He needed to hire a new “blackener”, also known as an Ink and Paint girl. He asked his employee Kathleen Dollard who recommended her friends younger sister, Lillian Bounds. Lillian remembers Dollard telling her, “I have a job for you, but I’m telling you about it on one condition: don’t vamp the boss.” The deal was, Lilly could apply if she didn’t marry the boss. We all know how well that worked out. The Interview Lilly decided to interview “since the studio was within walking distance from where [she] was living.” Her niece Marjorie Sewell walked her there so she didn’t get lost. When Lillian first met Walt, she remembers him wearing a brown coat, sweater, raincoat and pants. She recalls, “I had no idea of vamping him, I never had such a thought in my mind. He didn’t even have a suit.” She was offered $15 a week, which, according to inflation is about $213.75 a week today. She took it and began working for the Disney ...

It was 1948, and Walt desperately wanted to go to the Chicago Railroad Fair. Knowing Lillian and his daughters wouldn’t want go, Walt invited his friend Ward Kimball. Walt and Ward enjoyed the fair, and when Walt started building Disneyland in 1954, he knew he had to have a train. This wasn’t the first time Walt and Ward talked about trains. Back in 1945, Ward let Walt drive one of his engines at the Grizzly Flats Railroad, Ward’s personal railroad. We can’t say for sure, but it’s very likely that Walt’s Lilly Belle came because he wanted to have a railroad just like Ward’s. Now Ward Kimball is immortalized in the Ward Kimball engine at Disneyland. The Person Ward Kimball was an animator for Walt Disney. Hired in 1934, Ward started on the Silly Symphony cartoons. He went on to help animate many films including Snow White and the Seven Dwarfs, Pinocchio, Dumbo, Fantasia, Alice in Wonderland, and Peter Pan. Ward was one of the studio’s “Nine Old Men”. He was a brilliant animator, known f...

Marty Sklar passed away at his home in Hollywood Hills in July of 2017 at age 83. He was an Imagineer for 54 years and remained active in the Disney community after his retirement. He has received many awards from the theme park industry: The Buzz Price Award for Lifetime Achievement (Themed Entertainment Association, 1995). Disney Legend (2001) Window on Main Street in Disneyland (2001) International Association of Amusement Parks and Attractions (IAAPA) Hall of Fame Inductee (2008) Diane Disney Miller Lifetime Achievment Award (The Walt Disney Family Museum, 2016) Career Marty was hired to work at Disneyland part-time by Card Walker. His first assignment was to write The Disneyland News. He wrote speeches and marketing materials for Walt. Many quotes we think of as being from Walt were actually written by Marty: I hope that we never lose sight of one thing – that it was all started by a mouse. We keep moving forward, opening new doors, and doing new things, because we’re curiou...